5/28/09

Antonio Gaudi

Gaudi 9

When most people think about the architecture of Antonio Gaudi, they bring to mind something like this:

Gaudi 1

Gaudi 2

Its very impressive and why I wanted to watch this film. But you know me, I'm always more interested in the basic structure of things....


Gaudi 3

This is literally what is in the basement of his structures.

Gaudi 4

Gaudi 5

Gaudi 7

That last support system looks a lot like a fossilized skeleton structure, just as much as this staircase appears lined with vertebrae:

Gaudi 10

In fact, a lot of the interiors look like the setting for a nightmare suffered jointly by David Cronenberg and Salvador Dali. At times it was so utterly disturbing that I had to find the fast-forward button with my eyes closed.

Think happy thoughts...


Gaudi 8

Think happy thoughts....

Gaudi 6

Antonio Gaudi (1984)
directed by Hiroshi Teshigahara

7 comments:

Jack Bunny said...

Funny you ...

This is one I don't know at all. (My education is sadly lacking, but improving, thanks to you.)

In a most superficial way, these pictures remind me of those science fiction films where the "discovered" space ship is alive in some ways. Always interesting, always uncomfortable.

jb

ilan katin said...

I admire the strange narrative of this article. A very fantastic illustration. Thank you.

Guy Budziak said...

What a spectacular basement. Gaudi left no stone unturned, so to speak. Too bad this setting couldn't be used in a film by some aspiring filmmaker. It's that good.

shahn said...

I've always wanted to know what the interiors looked like. I never expected them to be so scary!

They are very science-fiction-like in that unsettling pulsing, living yet unrecognizable way. In other words - creepy.

I wonder how available these interiors are for film makers. I rarely see photos of the basements. I wonder if Teshigahara needed special permission or if this is just an untapped source for film settings....

MovieMan0283 said...

shahn,

You have been tagged:

http://thedancingimage.blogspot.com/2009/05/reading-movies.html

Brian said...

Love this film. Takemitsu's score alone is a tremendous achievement.

I believe Antonioni was able to shoot scenes for a narrative film (the Passenger) inside Gaudi structures. or maybe he just used exteriors. My memory is not perfect, lord knows.

shahn said...

MovieMan: Done!

Brain: Trust Antonioni, the most architectually minded director. I'll check it out. Thanks!