Showing posts with label Hans Dreier. Show all posts
Showing posts with label Hans Dreier. Show all posts

1/22/12

high contrast

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I love this noir-ish moment- from 1937 yet. It could almost be a template for what was to come. Barbara Stanwyck acts the pants off everyone else and all Joel McCrae ever needs to do is stand in front of the camera, as far as I'm concerned.

Interns Can't Take Money (1937)
directed by Alfred Santell
cinematography by Theodor Sparkuhl - huh, I gotta see more...
art direction by Hans Drier
and Roland Anderson

12/5/11

most snowiest time of the year day 5

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Holy cats, is that the time? Then let's get on with the snowy movies....

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It's hardly surprising to see Barbara Stanwyck in another wintertime setting. Christmas in Connecticut would be enough to ensure her a Queen of the Studio Snow crown but it's always a treat to find another.

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No Man of Her Own (1950)
directed by Mitchell Leisen
cinematography by Daniel L Fapp
art direction Hans Drier
and Henry Bumstead

12/4/11

most snowiest time of the year day 4

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More stunt work by our intrepid actors. Claudette on skis... 

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and Robert Young allowing a troupe of professionals to swoop over his head - repeatedly:

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If that isn't really Robert on the slopes, then the special effects are just as impressive.

I Met Him in Paris (1937)

12/3/11

most snowiest time of the year day 3

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Understandably too rarely found in classical Hollywood cinema - bobsled gags.

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I Met Him in Paris (1937)

12/2/11

most snowiest time of the year day 2

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That isn't studio snow, though there is plenty of that this year, and not just stock footage either. This was filmed in Sun Valley, movie stars and all; my attention was consistently drawn to the breath-fog streaming from the actors' mouths. Sun Valley was such a beautiful location. I wonder if it still is. Anyone know?

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12/1/11

most snowiest time of the year

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Hooray, it's that time of year again! Hunker down against the blizzard, grab that mug of hot cider and throw another log on the fire. Bring on the snow and ice!

Because I'm sure you're tired of the same old songs every year, I'll provide links over the next few weeks to highlight some lost classics to heighten the mood.
Today's Aural Adjunct: Winter by Billy Murray, one of my favorite songs of all time. I swear, if the man would go on tour now, I'd be at the front of the stage screaming with glee.

The Zamboni driver has already been at work, smoothing the surface for our stars Claudette Colbert and Melvyn Douglas:

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No stunt doubles here; those are the actors skating outdoors for a very long, unbroken shot with icy dialog and business both. There is some impressive camerawork too (backwards and on skates):

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It is a shame that the writing stinks to high heaven, otherwise this would be a good film to revisit this time each year. At least it is gorgeous to watch. This film is so heavy with winter sports that I'm going to carry it on over the next few days. It's enough to want to take a spin around the rink. Whee!

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I Met Him in Paris (1937)
directed by Wesley Ruggles
cinematography by Leo Tover