The Crazy Ray At 3:25 While Paris Sleeps

Paris qui dort (1925)

aka At 3:25

aka The Crazy Ray

directed by Rene Clair
photography by Jean Wiener

frills over onyx

Wow, does that ever look like fun!
This is a great title sequence-
graceful, curvilinear, flowery,
and completely unlike the design of the film itself.
Just like Fred and Ginger with their
graceful steps and her frilled gowns gliding
over the hard flat Art Deco sets.
Its a contrasting platform that serves to highlight the art of the dance
of the hands and of the feet.

Carefree (1938)
directed by Mark Sandrich
art direction by Van Nest Polglase

oh my

I haven't found an addition to my canon in quite a while.

This makes it in spades.

You just know nothing good goes on in these nightclubs.

Let's see: suicide, rape, slavery, drugs, murder, blackmail, revenge, deception, adultery, sex, assault, prostitution, extortion, seduction, an attempted heist and (somehow entwined within this all) singing and dancing. It seems all so Bollywood and yet this is part of the cabaretera (cabaret movies) genre from Mexico during the late '40s and early '50s.

Busby Berkeley would surely wince at the aerial photography but I really admire the big production numbers that burst the proscenium arch of the nightclub stages wide open. The ballads, mambos, rumbas and sambas that feature many top Mexican musicians [including Carmen Miranda's nightclub band] had me humming the tunes for days after watching this.

All this and noir-ish elements too - femme fatale, expressionist lighting, fog enshrouded streets, nihilist attitude, dark and dreary subject matter. Yet it never quite slides over into camp. Its all so lovingly embellished that I can suspend my disbelief and for the whole wild plot-wringing ride I'm right along with them.

Aventurera (1950)

directed by Alberto Gout

cinematography by Alex Phillips

production design by Manuel Fontanals