Showing posts with label silent film. Show all posts
Showing posts with label silent film. Show all posts

3/1/15

Philadelphia Film History #6- The Show Off part 4 WHERE ARE WE?


Want to play historian? I've had a great time figuring out the 1926 location shooting for The Show Off. However, there are a few scenes that have me stumped. Can you identify any of these?

Most of these are a part of a car chase so these shots could have been filmed anywhere but, due to Hollywood efficiency, are more likely to take place near to locations where the camera has already been set up. Not always, as seen here in the jump from Washington Square to Logan Circle .

#1
That is a gorgeous bank - which one is it? Is this First National Bank on Chestnut Street? The buildings are closely packed so possibly this is Center City.




#2
 I think I've tracked down the hotel. This source from the University of Pennsylvania says that the Bertram Hotel was located in West Philly on Woodland Avenue near 33rd Street. Our protagonist is based in West Philly, so this makes sense. Which street is this?




#3
That is a hotel straight ahead and there is another to our left. Neither name is clear. There appears to be a sign with raised letters above the hotel on the left, maybe reading "THEBA"- it really isn't clear.




#4
I have the feeling this is a different neighborhood since there is so much space around the building. Are the rounded curbs a clue? They are similar to the curbs encircling Washington Square.

I love being a detective. I needed to do this type of investigation as a film archivist, to figure out when and where a home movie was filmed. Now it's your chance. Leave your answers in the comments.

12/31/13

New Year's Eve countdown 2013



Kept Husbands (1931)

The Crazy Ray (1925)

Kept Husbands (1931)

Destination Tokyo (1943)

Union Station (1950)

Destination Tokyo (1943)

Destination Tokyo (1943)

Mommie Dearest (1981)

Hollywood Hotel (1937)

The White Hell of Pitz Palu (1929)


The White Hell of Pitz Palu (1929)

Union Station (1950)

The Egg and I (1947)

A Colt is My Passport (1967)

The Pure Hell of St. Trinian's (1960)

Theodora Goes Wild (1936)

The Horn Blows at Midnight (1945)

Mandarin Mystery (1936)

12/26/13

Avalanche! day 26



Eternal Love (1929)
directed by Ernst Lubitsch
cinematography by Oliver Marsh

12/25/13

merry xmas 2013



Destination Tokyo (1943)




Eternal Love (1929)

12/24/13

the tree goes up on xmas eve 2013


A Summer Place (1959)


Big Business (1929)





 Kept Husbands (1931)



The Bells (1926)


12/23/13

Avalanche! day 23



Eternal Love (1929)
directed by Ernst Lubitsch
cinematography by Oliver Marsh

12/22/13

Avalanche! day 22


Eternal Love (1929)
directed by Ernst Lubitsch
cinematography by Oliver Marsh

12/1/13

Avalanche!

White Hell pitz Palu 2 photo whitehellpizpalu3PS_zps6161fa1d.jpg


You weren't expecting that, were you?

It was dry last winter but the forecast this year is for moderate snow all month. I promise to deliver in small, easily-shovelled doses so as not to overwhelm you like this poor lass.


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White Hell of Pitz Palu (1929)
directed by Dr. Arnold Fanck
and G W Pabst
photography by Sepp Allgeier
Richard Angst
and Hans Schneerberger

10/22/13

The Crazy Ray At 3:25 While Paris Sleeps



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Paris qui dort (1925)
aka At 3:25
aka The Crazy Ray
directed by Rene Clair
photography by Jean Wiener

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10/10/13

eroding dancer

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from a Biograph Serpentine Dance film
c.1895-1897

It looks like a splice combined with thick linear emulsion scratches but the emulsion also seems to be peeling away. Really we're lucky to have such an early treasure in any condition.

9/11/13

accidental abstraction

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Although these films have faded quite badly, there is still a lot to appreciate. Isolating these frames reveals a view of swirling celestial settings unnoticed when we focus on the trees and roofline as the film zips through the projector.

9/6/13

Monty Banks is my new hero

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I can't believe he survived these stunts.
Silent slapstick films are truly astounding.

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Chasing Choo Choos (1927)
aka edited scenes from Play Safe (1927)
cinematography by Blake Wagner

8/1/13

16mm Home Movie, Convention c. 1950

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 Adventures in archiving.
Sometimes we encounter a film in this condition. Its at the beginning of the reel and there's no way of knowing how much is missing. We like to save every frame - who knows what information would be lost if I just cut off the damaged section? So my job is to make sure the remaining frames can still be viewed by the digital scanner. Here I've cut the leader to match the jagged edge.

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 Now, let's see what this home movie is all about:

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 ...and it looks like a convention! I don't have a viewer to watch the whole film but I'm guessing that this will be a rather gendered environment in 1950.


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 Oh yeah - wearing a party hat onstage with the dancing girl.


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 And of course a shot of the cars in the parking lot. Quel surprise. I wonder how they would feel to know this film was repaired by a lady using lady fingers and her lady brain, hmm?