The Blizzard (1912) A huge herd of reindeer results in post traumatic stress syndrome. Gorgeous Swedish silent directed by Mauritz Stiller. Seriously, I very much enjoyed the Matti Bye Ensemble. The score is atmospheric and emotional, a loving support that keeps the rhythms of the film in the forefront. I will happily see any film screened when Matti Bye is involved. He wrote a piece for the program about his views on accompanying silent film. His two rules: keep the eyes on the screen and follow the dynamics of the film. He also mentions the importance of taking silent film seriously. I agree. I feel that some musicians are disrespectful by considering the film "as a backdrop for a concert" (Mr. Bye's words, my criticism.) It worked for the Velvet Underground performances, and rarely after that.
The Goose Woman (1925) Jack Pickford and Louise Dresser are amazing in this drama. I didn't care much for the story, which seemed to meander away from recounting a woman's quest to return to the spotlight. Seeing Ms Dresser's face express subtle changes in emotion in close-up was enough to carry me through. Stephen Horne played as collaboratively as ever.
Mr. Fix-It (1918) It was time to connect with both dinner and some sunlight, but I made sure to catch the end of this Douglas Fairbanks picture. Dennis James played the Mighty Wurlitzer pipe organ. Just like a fireworks display, the most thunderous and animated section is the finale. The vibrations in the theater from the organ could just as likely be from Mr. Fairbanks' athleticisms. A great, fun combination.
The Woman Men Yearn For (1929) The highlight of the festival for me. Marlene Dietrich is so beautifully lit, she just glows. She's the convincing eye of the hurricane around which all drama swirls while she poses quietly and gracefully. German Expressionism is in full bloom which gives this film a firm noir quality. A must see for all.
Another full day tomorrow!
No comments:
Post a Comment